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Music genre · Cabo Verde

Morna

Morna is the national song form of Cabo Verde: slow, melancholy music sung in Cape Verdean Creole, accompanied by guitar, cavaquinho, violin and piano, and devoted to love, departure and sodade — longing for what is absent. Shaped by poets such as Eugénio Tavares and B.Léza and carried worldwide by Cesária Évora, it was inscribed by UNESCO as intangible cultural heritage in December 2019.

Published 2 min read

An island song

Cabo Verde is an archipelago of ten islands off the coast of West Africa, uninhabited until Portuguese settlement in the fifteenth century and shaped by the Atlantic slave trade, drought and emigration. Morna grew there in the nineteenth century, with roots in older song forms and influences from Portuguese, Brazilian and African music.

Its subject is the islands' great theme: sodade, the longing for people and places that are far away — emigrants, lovers, the home islands seen from a ship.

The poets

Two figures gave morna its classic form. Eugénio Tavares (1867–1930), from the island of Brava, wrote mornas in the Creole of Brava that are still sung today; his birthday, 18 October, is Cabo Verde's National Day of Culture. B.Léza (Francisco Xavier da Cruz, 1905–1958), from Mindelo on São Vicente, enriched the harmony of morna with chords from Brazilian music and wrote many of its best-known songs. His birthday, 3 December, is National Morna Day.

The sound

A morna is slow and lyrical, usually in a gentle two- or four-beat rhythm. The guitar provides bass lines and chords, the small four-stringed cavaquinho a rhythmic strum, and violin, clarinet or piano weave melodies around the voice. The singing is restrained and intimate rather than dramatic.

Cesária Évora

Cesária Évora (1941–2011), born in Mindelo, sang in the bars and on the ships of São Vicente for decades before international success arrived in her fifties. Known as "the barefoot diva" because she performed without shoes, she made morna famous worldwide in the 1990s with songs such as "Sodade". In 2004 her album Voz d'Amor won the Grammy for Best Contemporary World Music Album.

Other great voices include Bana and Ildo Lobo, and a younger generation continues to record and reinvent the form.

UNESCO recognition

In December 2019 UNESCO inscribed "Morna, musical practice of Cabo Verde" on its Representative List of the Intangible Cultural Heritage of Humanity.

Related

Morna's sister tradition across the Lusophone Atlantic is Angola's semba. Its melancholy has echoes in Algerian raï, and its guitar culture links it to Congolese rumba. For the Mozambican painter who shared the Portuguese-speaking world's struggle for independence, see Malangatana.

Music genre

Semba

Angola · 1940s–

Semba is the urban music of Luanda, born in the 1940s–50s with Ngola Ritmos and carried worldwide by Bonga. How it shaped Angola and gave rise to kizomba.

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Congolese rumba

DR Congo · Republic of the Congo · 1940s–

Born in 1940s Kinshasa and Brazzaville, Congolese rumba gave Africa Franco, Tabu Ley and Papa Wemba. UNESCO inscribed it as world heritage in 2021.

Music genre

Raï

Algeria · 1920s–

Raï began as rural song around Oran, became the pop of Cheb Khaled and Cheb Mami, and was inscribed by UNESCO as Algeria's popular folk song in 2022.

Painter and poet

Malangatana

Mozambique · 1936–2011

Malangatana Ngwenya (1936–2011) painted crowded, visionary canvases, was jailed by the Portuguese secret police and became a UNESCO Artist for Peace.