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African art movements

Modern African art was never one movement. In the years around independence, groups of artists in Zaria, Osogbo, Khartoum, Dakar and Casablanca each asked the same question — what should a modern art look like in a country that has just become free? — and each gave a different answer: theory and the academy, open workshops, Arabic script, Négritude, the crafts of the souk. In Kinshasa, self-taught painters answered by ignoring the question and painting their city.

Each article explains who the artists were, what they made and what became of their ideas. For the individual careers behind them, see the artist profiles.

Art movement

Zaria Art Society

Nigeria · 1958–1962

In 1958 art students in Zaria rebelled against a colonial curriculum and founded the Zaria Art Society. How "natural synthesis" shaped modern Nigerian art.

Art movement

Oshogbo School

Nigeria · 1962–1966

The Oshogbo school grew from 1960s workshops at the Mbari Mbayo club in Osogbo, Nigeria, and launched Twins Seven-Seven, Jimoh Buraimoh and Nike Okundaye.

Art movement

Khartoum School

Sudan · 1960–1975

Founded around 1960 by Ibrahim El-Salahi, Ahmed Shibrain and Kamala Ibrahim Ishaq, the Khartoum School merged Arabic calligraphy with African forms.

Art movement

École de Dakar

Senegal · 1960–1974

Backed by Senghor's Négritude, the École de Dakar (1960–1974) produced Senegal's first modern painters, the Thiès tapestries and the 1966 world festival.

Art movement

Casablanca School

Morocco · 1962–1974

From 1962 Farid Belkahia, Mohamed Melehi and Mohamed Chabâa turned Casablanca's art school into a lab for modern art built from Moroccan crafts and signs.

Art movement

Congolese popular painting

DR Congo · 1970s–

From the 1970s, self-taught Kinshasa painters such as Chéri Samba, Moké and Chéri Chérin painted the city's life, scandals and history in a billboard style.