Art movement
Zaria Art Society
Nigeria · 1958–1962
In 1958 art students in Zaria rebelled against a colonial curriculum and founded the Zaria Art Society. How "natural synthesis" shaped modern Nigerian art.
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Modern African art was never one movement. In the years around independence, groups of artists in Zaria, Osogbo, Khartoum, Dakar and Casablanca each asked the same question — what should a modern art look like in a country that has just become free? — and each gave a different answer: theory and the academy, open workshops, Arabic script, Négritude, the crafts of the souk. In Kinshasa, self-taught painters answered by ignoring the question and painting their city.
Each article explains who the artists were, what they made and what became of their ideas. For the individual careers behind them, see the artist profiles.
Art movement
Nigeria · 1958–1962
In 1958 art students in Zaria rebelled against a colonial curriculum and founded the Zaria Art Society. How "natural synthesis" shaped modern Nigerian art.
Art movement
Nigeria · 1962–1966
The Oshogbo school grew from 1960s workshops at the Mbari Mbayo club in Osogbo, Nigeria, and launched Twins Seven-Seven, Jimoh Buraimoh and Nike Okundaye.
Art movement
Sudan · 1960–1975
Founded around 1960 by Ibrahim El-Salahi, Ahmed Shibrain and Kamala Ibrahim Ishaq, the Khartoum School merged Arabic calligraphy with African forms.
Art movement
Senegal · 1960–1974
Backed by Senghor's Négritude, the École de Dakar (1960–1974) produced Senegal's first modern painters, the Thiès tapestries and the 1966 world festival.
Art movement
Morocco · 1962–1974
From 1962 Farid Belkahia, Mohamed Melehi and Mohamed Chabâa turned Casablanca's art school into a lab for modern art built from Moroccan crafts and signs.
Art movement
DR Congo · 1970s–
From the 1970s, self-taught Kinshasa painters such as Chéri Samba, Moké and Chéri Chérin painted the city's life, scandals and history in a billboard style.